Frances Disley (Output vs Bluecoat)
Frances Disley recently had a show in the Bluecoat
gallery called ‘pattern buffer’. I was planning on writing about this
exhibition for the blog until I done some research and realised that I have
also seen another exhibition by Frances at the Output gallery and I was honestly
so surprised.
When thinking about ‘pattern buffer’ I really didn’t
have too much of an opinion on it and honestly didn’t have a great impression
of the artists until I realised that I had saw another one of their shows at
Output which I loved and I was shook.
Disley has a reoccurring theme in her practice of
using art to create an environment that allows the audience to enter and almost
leave the real world for a moment. Whether this being a relaxing environment or
a distracting one, which can be seen in these two exhibitions as they both aim
to be a no-pressure offer of mindfulness. However, the two shows convey this so
differently.
Frances’ show at the Output used lighting, sound,
scent, visuals, fabrics and colors to completely transform the space and create
an environment that allowed the audience to interact and forget about the world
outside for a little bit. I personally felt the show had a childlike playful
atmosphere, it actually reminded me a little bit of a child’s playground with
the markings on the walls and floor to be used as a means of interaction either
using ones body or using the provided basket balls. I felt this show was
effective in the terms of what Disley was trying to achieve and the added
element of the collaboration with a performance artist who used the space adds this
whole other element to the work. Honestly, I loved this, in fact I remember
thinking it was one of the best shows that the Output have had. Further from
the effectiveness of the work, it relates so much to my practice its
unbelievable. One area of my practice stems from interest in psychology, art
therapy and the child’s mind and I have experimented often with making
environments that can take an audience member to a different place away from
the real world, using the idea of sensory environments to create relaxing yet childlike
experiences such as a child’s den made form whatever fabric can be found.
Considering I feel this way about Disley’s work in the
Output and other works that iv looked at online I do not feel any of this with
the ‘Pattern buffer’. In the ‘Pattern buffer’ Frances had this continued aim of
creating an environment that allows the audience to step away from the world
for a moment. This time the installations aim was to prompt a more relaxing and
therapeutic stimulation rather then a distracting more playful one. Making the
‘pattern buffer’ Frances had spoke to psychologists about making this environment
and what certain spaces have a positive effect on individuals. The ‘pattern
buffer’ includes two rooms, one room consists of greyish, greenish kind of gridded
walls with these volcano looking plant things in front of the window and then
there where chairs and table located around the room with jigsaw puzzles and
videos on display. I personally didn’t like this installation I kind of felt
like I was in one of them cringy boring after school clubs that school put you
in when your mum was running late to pick you up, you know. I feel bad but I
just really cant think of much to say about it, compared to the other works of
hers I’ve seen I just don’t get this one. I just don’t think it was as
effective for what she was trying to achieve. The upstairs room was slightly
better, Frances had similar kind of walls and décor as the room below but there
were videos of incense burning and one wall was covered in fabric and textures
which was kind of interesting. I’d say the best part of this room was the
little nooks she made on the window ledges they were quite cute, like I could
sit there and read a book, it was good for photographs too.
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